I am an optimist, a collaborator, and a creator of beautiful spaces, bringing over 15 years of work in the field of Production Design to every project. My work ranges from high-concept limited series (Blade Runner 2099, Manhunt) to gritty indie features (Chappaquiddick, Brave New Jersey.) I love the challenge and creativity that comes from designing across the spectrum and I immerse myself deeply in every world I am asked to bring to life.

 

I am a skilled technician with a strong graphic eye and an adept visual communicator. I believe that the role of the Production Designer is to not only create the world of the show, but to make sure every member of the crew has what they need to execute that vision. Having worked around the world, I've come to appreciate and value our visual medium more than ever; no matter where I've designed, the language of design remains constant. It is a thrill and a joy to bring new worlds to fruition with teams in other countries and in my home of Los Angeles. My favorite part of Production Design is the collaboration: with fellow artists, storytellers and imagemakers. I love working with other department heads to bring a show to life.

 

I am a member of the Art Directors Guild and the Television Academy. I was nominated for an Emmy and Art Directors Guild Award for my work on Comedy Central's Drunk History. 

 

When I am not working in production, you can find me working on my side project, Mysterywick Puzzle Candles alongside frequent art department collaborator Chelsea Morgan. We bonded in the art department of American Horror Story over our shared love of escape rooms, tabletop games, and logic puzzles. Mysterywick was born out of spare time during the 2023 writer's strike and creative energy with nowhere to go. ​